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Daryl Gott | 30 Under 30

Denver native Daryl Gott - featured on KUVO's latest release, Live at the Oasis Vol. 11 - is working hard to bring a fresh sound to jazz. As a saxophonist, Daryl serves up a fresh spin on bebop through fusing classic and modern jazz influences. A graduate of Denver School of the Arts and City College of New York, Daryl has performed professionally throughout the United States. To celebrate 30 years on the air and invest in the future of jazz, KUVO interviewed 30 local musicians under the age...
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Caleb Chapman’s Soundhouse; Information and text from ccsoundhouse.com

Live at KUVO: Caleb Chapman’s Soundhouse Band | July 14

As part of the station's High School/Collegiate Series, a Caleb Chapman’s Soundhouse band will perform live in the studio July 14 from 7 to 8 PM MT. Caleb Chapman’s Soundhouse bands focus on styles of music traditionally overlooked in schools, including R&B, Afro-Cuban, Funk, Pop and Soul. Focused on providing musicians from ages 10 to 18 with experience performing, recording and touring, Soundhouse also strives to build the life skills of its members. In November of 1998 while still in...
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In the dirty, crowded, and impoverished immigrant barrios of Buenos Aires of 1913, a 17-year-old girl arrives with little more than some clothes and her grandfather's violin.

Her name is Leda, and she's the character at the heart of Carolina De Robertis' third novel, The Gods of Tango.

Leda, an Italian girl, was sent for by her cousin-husband, but widowed before her ship even lands in South America. She soon finds comfort and excitement in a new kind of music that's filling the city's courtyards, bars and brothels: the tango.

LEENET Music

Since his emergence in the early 1990s, Christian McBride has not only become one of jazz's most in demand bassist and bandleader, McBride has become an ambassador of jazz around the world. Christian has used his success to rescue out of obscurity, his father-fellow bassist Lee Smith who although is a living legend in their home town of Philadelphia, was not known out side of the City of Brotherly Love and cheesesteaks.

jazz.org/JLCO

Jazz Notes 7-2-2015 by Norman Provizer

Jazz on Film: Paris Blues - Art, Freedom or Love

Jul 2, 2015

Despite being among the greatest of American inventions, jazz has always been a hard way to make a living. Many musicians, from Sidney Bechet and Josephine Baker to Dee Dee Bridgewater and Jerry Gonzalez, have sought a better life for themselves overseas. Some left for artistic reasons, some left because they lost their Cabaret cards, often because of drug use, without which they could no longer be booked in U.S. clubs. Many black jazz musicians left at the height of the Civil Rights movement to find new homes where their race and color were not held against them.

Each June 21, the one-day Make Music New York festival (MMNY) celebrates not just sound but community. It's a summer solstice gathering of the tribes for music makers and music lovers alike, with more than 1200 outdoor concerts across the five boroughs running from morning till night.

The story of music in 2015 goes like this: There are endless ways to listen to endless songs. Looking for something new? There's an algorithm for that. Prefer a human touch? Podcasts, blogs, Beats 1 (maybe!), good old terrestrial radio — take your pick. Honestly, we use all these and more. Many of these songs came to us via Soundcloud or YouTube, Spotify or iTunes. Many others showed up in our inboxes and demanded attention. Some of them we'd been waiting for for years. Some were complete surprises.

Spotify, Google Play, Amazon Prime, Rdio, Rhapsody, Pandora — the list of streaming music service goes on and on. On Tuesday, Apple joins that lineup with the launch of its streaming service, Apple Music. Apple will give consumers a three-month trial, and then it will charge $9.99 a month.

But most music lovers still aren't sure why they should pay. Colin Barrett, 31, has tried a few of the streaming services, but he doesn't use them anymore.

music.yale.edu, Sources: npr.org and jazzstandards.com

In the opening lines of Cole Porter’s “Night and Day” - composed in 1932 - a haunting melody unfurls in a minor key over an inconsonant background. This discord is born from the unconventional use of a single note, intoned 35 times over the first 8 bars, which establishes a tension that carries through the entirety of the song.

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