Ethan Iverson
There are several elements on Technically Acceptable, the second Blue Note Records release from pianist/composer Ethan Iverson, that would feel equally at home during any point in the label’s storied history. There’s an ample helping of the blues, a tune built on rhythm changes, spirited trio interactions, a reimagined song from the hit parade, even a rendition of Thelonious Monk’s iconic “‘Round Midnight.” This being an Ethan Iverson date, however, none of those classic idioms are revived without a twist…
Ethan Iverson
There are several elements on Technically Acceptable, the second Blue Note Records release from pianist/composer Ethan Iverson, that would feel equally at home during any point in the label’s storied history. There’s an ample helping of the blues, a tune built on rhythm changes, spirited trio interactions, a reimagined song from the hit parade, even a rendition of Thelonious Monk’s iconic “‘Round Midnight.” This being an Ethan Iverson date, however, none of those classic idioms are revived without a twist…
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