Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

Music
2:58 pm
Wed October 8, 2014

Art As Conversation: Three New Collaborative Albums

Nels Cline and Julian Lage's new collaborative album is called Room.
Courtesy of the artist

Originally published on Tue October 14, 2014 2:37 pm

Read more
Music Reviews
2:44 pm
Tue July 15, 2014

A Sax Trio Taps Tradition While Thriving In The Present

Melissa Aldana and Crash Trio released its self-titled debut album in June.
Courtesy of the artist

Originally published on Tue July 15, 2014 5:23 pm

Melissa Aldana, who became the first female instrumentalist and first South American musician to win the Thelonious Monk International Jazz Saxophone Competition last fall, is not the average talent-contest winner.

Read more
A Blog Supreme
6:58 pm
Wed May 28, 2014

Take 75: Great Solos In Blue Note Records History

Clifford Brown turned in a number of fine solos playing with bandleader Art Blakey in 1954.
Francis Wolff Courtesy of Blue Note Records

Originally published on Thu May 29, 2014 1:55 pm

Blue Note Records has been many things over the course of its 75 years: a label responsible for blinding jazz innovations, a home for the titans of hard bop and soul jazz, a place for smart, sly, jazz-inflected pop creations.

One constant running throughout its history is improvisation. Its records have showcased jazz soloing in every possible mood and temperament. Its artists, both the jazz legends and those journeymen who are little regarded today, have helped shape the ever-evolving notion of what a solo is and what it can be.

Read more